The kitten, the one plucked
mewling from a box downtown,
the spider fighter, the dark
destroyer, looks at me with
knowing grey eyes as if to say,
"you can't do this. You don't
know shit."
Winds howl outside but inside
silence can not erase the
taunting hum of the computer,
its screen a blank snowy hillside.
Isn't this dramatic, you say.
Well, I'd answer, it depends.
Do you write?
Scouring the floors yields no
answer, lyrics on the radio
laugh at your ego, and
yogastic posing only
twists your body into knots
that approximate your mind.
Fingers tap out the same line
in slightly different ways,
stuck playing endless variations
of an unliked theme. The line
is a kettle whistle, piercing
the blessedness of the page.
Because you love writing, you
erase it
and the sea of white is your
home. Adrift and only
vaguely aware of land, you
strike out for any idea, any
shadow on the horizon.
Darkness descends,
clock ticks are pin pricks,
and time ambles towards
two a.m. as you write the
same sentence, again.
Sunday, April 30, 2006
Saturday, April 29, 2006
The Unmentionables at the Fish Market
Anger undrenched by an ocean
of distance, you call
to bitch about baranguay
captains and the cousins
who complained, "grandmother's
coffin is the wrong size."
Then in the next breath,
"fire ants will bite your
daughter's feet as she climbs",
and I wonder: just who
allows her to climb the mango
trees?
These are calls that
only my purlieu can soothe,
these tides (and cigs) that
hypnotize a mountain goat
such as I. I drive redlined,
punch a hole in the wind,
reach the shore and stay all day,
buy ice milk from
toothless street vendors, and
wonder how the taste on the
spoon was so pale - how it got
to be this way.
My ribs poke at my tee shirt,
my thoughts jab at my mind
as another call comes from
old Luzon, ire rising from
a far horizon as two people,
wizened raisins, sway on
gravel in a parking lot
to the music of Teresa Teng,
a national idol, dead of
asthma, at 33, far from home.
They move not as lovers but
as one. Cheap netting covers
the man's head, his forehead
and scalp blank with age, a perfect
place for the midnight blue and
white sun of the Kuomintang.
It is a moment, privy to me,
its grace descending like a fog.
The woman in his arms becomes
youthful, small steps go from mincing
to girlish and I wonder if he has
ever had to leave her.
My guidebook does not list the
this fish market; its smells
considered unmentionable,
yet it fascinates to watch
the fishing skiffs bob in the waters,
trying to reach safe
harbor before the sun does.
Folk song notes float through
the air like twilight. The singer
is fourteen, singing "I Am A Rock"
in syllable-timed English.
My pocket yields a coin; coin
clinks in the can; my loneliness
absolved. When my clothes
reek of smoke and gutted
fish, when the early
evening wind
snaps kitestrings,
when the dancers have
shut their stall and
the sky darkens with all
the colors of longing
then I go, leaving the
stench of seafood
behind for the quiet
of empty rooms
and bare feet on
cold hard tiles.
of distance, you call
to bitch about baranguay
captains and the cousins
who complained, "grandmother's
coffin is the wrong size."
Then in the next breath,
"fire ants will bite your
daughter's feet as she climbs",
and I wonder: just who
allows her to climb the mango
trees?
These are calls that
only my purlieu can soothe,
these tides (and cigs) that
hypnotize a mountain goat
such as I. I drive redlined,
punch a hole in the wind,
reach the shore and stay all day,
buy ice milk from
toothless street vendors, and
wonder how the taste on the
spoon was so pale - how it got
to be this way.
My ribs poke at my tee shirt,
my thoughts jab at my mind
as another call comes from
old Luzon, ire rising from
a far horizon as two people,
wizened raisins, sway on
gravel in a parking lot
to the music of Teresa Teng,
a national idol, dead of
asthma, at 33, far from home.
They move not as lovers but
as one. Cheap netting covers
the man's head, his forehead
and scalp blank with age, a perfect
place for the midnight blue and
white sun of the Kuomintang.
It is a moment, privy to me,
its grace descending like a fog.
The woman in his arms becomes
youthful, small steps go from mincing
to girlish and I wonder if he has
ever had to leave her.
My guidebook does not list the
this fish market; its smells
considered unmentionable,
yet it fascinates to watch
the fishing skiffs bob in the waters,
trying to reach safe
harbor before the sun does.
Folk song notes float through
the air like twilight. The singer
is fourteen, singing "I Am A Rock"
in syllable-timed English.
My pocket yields a coin; coin
clinks in the can; my loneliness
absolved. When my clothes
reek of smoke and gutted
fish, when the early
evening wind
snaps kitestrings,
when the dancers have
shut their stall and
the sky darkens with all
the colors of longing
then I go, leaving the
stench of seafood
behind for the quiet
of empty rooms
and bare feet on
cold hard tiles.
Friday, April 28, 2006
Thursday, April 27, 2006
The Desert is Great for Peyote in April, 1994
Good men are hard to find:
unobtrusive, shadowed by
the hard men who are good,
the ones far easier to spot.
Damming their emotional
spigot, transcending by
societal decree: how can
you get your rocks off anymore?
Living is so rule-governed, so
scripted, so my-guardian-did-this-so-
I-will-too-ed; writing acts as
fire patrol that clears way this dead wood.
In moments of pure folly,
the voice in my head whispers that
"even the burns are controlled, on
the page."
In writing to release,
resolving to relive flesh
wounds (and absolve the makers)
I realize I've cut my own, jived,
and said things about clothing and
owning that were, at best, untruths:
just the kind of things that get men laid.
CarHouseDreamsFears and, for now, Drugs.
Venomous whispers all,
a spider, seeped in societal ill,
sold on TV, I want these things
only as barter -
an evening of words for a night
of hard fucking.
I offer no recompense - for you do it too -
nor is quarter expected from you
and yours. The schism in me is the
schism in you. Let's unite these
divergencies, strap desire to our
hearts and loins, call it Will,
and walk - not as
Saturday night hooligans, not as
renegades (for all is one), not as people
wuthout places,
(for the all the world is a playground of
magic), certainly not as united,
but as visceral incarnations of
our selves.
Cracks spread like pox,
the world undulates,
and Apollo blazes across a
sultry sky, perfect for
tonight my chingadera -
Round Two.
unobtrusive, shadowed by
the hard men who are good,
the ones far easier to spot.
Damming their emotional
spigot, transcending by
societal decree: how can
you get your rocks off anymore?
Living is so rule-governed, so
scripted, so my-guardian-did-this-so-
I-will-too-ed; writing acts as
fire patrol that clears way this dead wood.
In moments of pure folly,
the voice in my head whispers that
"even the burns are controlled, on
the page."
In writing to release,
resolving to relive flesh
wounds (and absolve the makers)
I realize I've cut my own, jived,
and said things about clothing and
owning that were, at best, untruths:
just the kind of things that get men laid.
CarHouseDreamsFears and, for now, Drugs.
Venomous whispers all,
a spider, seeped in societal ill,
sold on TV, I want these things
only as barter -
an evening of words for a night
of hard fucking.
I offer no recompense - for you do it too -
nor is quarter expected from you
and yours. The schism in me is the
schism in you. Let's unite these
divergencies, strap desire to our
hearts and loins, call it Will,
and walk - not as
Saturday night hooligans, not as
renegades (for all is one), not as people
wuthout places,
(for the all the world is a playground of
magic), certainly not as united,
but as visceral incarnations of
our selves.
Cracks spread like pox,
the world undulates,
and Apollo blazes across a
sultry sky, perfect for
tonight my chingadera -
Round Two.
Monday, April 24, 2006
Finally, the Truth is Revealed
Nothing deflates the
ego, nothing harkens truth like
a kick to the groin.
ego, nothing harkens truth like
a kick to the groin.
Sunday, April 23, 2006
Pondering Being While Sitting in a Bathtub
You do it - again.
You do it - again. Can you
change . . . can anyone change?
You do it - again. Can you
change . . . can anyone change?
Saturday, April 22, 2006
Friday, April 21, 2006
An Unexpected Bonus at the Cell Phone Shop
Won't that just tint your
windows? Or pay for a whale
tail? Look out girliez . . .
windows? Or pay for a whale
tail? Look out girliez . . .
Thursday, April 20, 2006
A Persimmon's Idea of Far
Among persimmons
shining sickly sweet forever,
my father walks, far,
far from seedlings and
Persephone, in autumn,
the underworld so near.
Far from the life he
has grown for himself, far from
being chased by
butcher-knife mother-
drunks, no longer crouched in
closets or Vietnam
fatigues, and now, just
when he can see, glaucomic
fog takes the edges
only midnight white
looms, dead ahead - just when he
shakes long shadows loose.
Orange orbs blaze like hair
but taste fades as light beckons,
orbs swish in the wind,
dangle for Hereafter,
staring hungrily, waiting
for the bitter seeds.
Unfair it is: seeds
have sprouted, grown roots and wings,
transcended time and
camo mail missions,
dropped messages, avoided anti-
aircraft fire, the ground
gunners unaware
his enlisting for this
rescued him from
kitchen pitchers of
vodka lemonade, the ones
Mother drank when his
father drove silver
buses that staggered like
Mother, home alone.
Can a persimmon
know each cackle betrays the
glee of survival?
As sibilant gusts
hush the trees, rock the seeds, cup
them, so matronly,
does my father (orange
to hard-wood, overripened)
know that he can see?
Does fruit know before
the fall that it's wait is short,
that the time is near,
though it's come so far?
shining sickly sweet forever,
my father walks, far,
far from seedlings and
Persephone, in autumn,
the underworld so near.
Far from the life he
has grown for himself, far from
being chased by
butcher-knife mother-
drunks, no longer crouched in
closets or Vietnam
fatigues, and now, just
when he can see, glaucomic
fog takes the edges
only midnight white
looms, dead ahead - just when he
shakes long shadows loose.
Orange orbs blaze like hair
but taste fades as light beckons,
orbs swish in the wind,
dangle for Hereafter,
staring hungrily, waiting
for the bitter seeds.
Unfair it is: seeds
have sprouted, grown roots and wings,
transcended time and
camo mail missions,
dropped messages, avoided anti-
aircraft fire, the ground
gunners unaware
his enlisting for this
rescued him from
kitchen pitchers of
vodka lemonade, the ones
Mother drank when his
father drove silver
buses that staggered like
Mother, home alone.
Can a persimmon
know each cackle betrays the
glee of survival?
As sibilant gusts
hush the trees, rock the seeds, cup
them, so matronly,
does my father (orange
to hard-wood, overripened)
know that he can see?
Does fruit know before
the fall that it's wait is short,
that the time is near,
though it's come so far?
Wednesday, April 19, 2006
Why We Blight
Who's afraid of the
iron lung? ricketts? po-li-o?
spent maladies long
adapted to, outran,
then - mutation! - to bird flu
and masked persons
on city buses,
afraid to cough, forgetting
about polio,
knowing that what took
grandfather, felled dead in
the paddy for want
of medicine, could
only touch them viscerally
via cathode ray tube
yet panic passed
like a baton as people
sniffed the air for
fear that would release
the hollowness embodied
by ricketts, the sight
of people hooked
to breathing machines and, that
devil, polio.
iron lung? ricketts? po-li-o?
spent maladies long
adapted to, outran,
then - mutation! - to bird flu
and masked persons
on city buses,
afraid to cough, forgetting
about polio,
knowing that what took
grandfather, felled dead in
the paddy for want
of medicine, could
only touch them viscerally
via cathode ray tube
yet panic passed
like a baton as people
sniffed the air for
fear that would release
the hollowness embodied
by ricketts, the sight
of people hooked
to breathing machines and, that
devil, polio.
Monday, April 17, 2006
Sunday, April 16, 2006
Yard Man Blues
I'm in the field, standing between a
post-scripted past and a paralyzed
future. Shucked like corn, tricked,
hoodwinked - brought back to an island,
letter-by-letter, thirty four letters over
fifteen years, to an island that is no
longer mine. Sons cry for me, house-
niggers boss me, but me? I'm
free. Free to watch the show-all American
abortions and race train wrecks. Free to
love my girl, free to drink warm beer, free
to be colonized, free to care for no better.
I have my place - and, within that, within
good graces and valor and obediance, that
place is home. I am native, nipa-hutted,
and no non-native's gonna colonize
this head of mine. When I go, it'll be
in the sun, whiteness thrown off like
a soiled tee, warm beer in my hand, on
my island. I am the horseman in the
swamp and, eventually, the hill people,
the people who gate, will see that I
ain't blind - and sure ain't dumb.
post-scripted past and a paralyzed
future. Shucked like corn, tricked,
hoodwinked - brought back to an island,
letter-by-letter, thirty four letters over
fifteen years, to an island that is no
longer mine. Sons cry for me, house-
niggers boss me, but me? I'm
free. Free to watch the show-all American
abortions and race train wrecks. Free to
love my girl, free to drink warm beer, free
to be colonized, free to care for no better.
I have my place - and, within that, within
good graces and valor and obediance, that
place is home. I am native, nipa-hutted,
and no non-native's gonna colonize
this head of mine. When I go, it'll be
in the sun, whiteness thrown off like
a soiled tee, warm beer in my hand, on
my island. I am the horseman in the
swamp and, eventually, the hill people,
the people who gate, will see that I
ain't blind - and sure ain't dumb.
Saturday, April 15, 2006
Friday, April 14, 2006
Life Vow
Papyrus of the blood,
a paper encapsulates eight years
of learning limits, body-glitter-
shelved, and tobacco
by the carton. The tax just a
weak deterent; testicles,
sagging evil; every puff,
reflection. Spirit drained by
small moments, road forks,
denials, distractions, disease, and
drive-thru living: in short, America.
Monogamy, the serpent, a territorial
beast, tolled the bell as heaven fell; the
knell a reminder of how you
came in: small, dew-skinned, and
so full of wonder, skin inky in darkness
and whitened in light. At the teat of
life, before paper, the original blood
rivulets through veins, too aware of
life to be captured on a document.
Remember this and have all.
a paper encapsulates eight years
of learning limits, body-glitter-
shelved, and tobacco
by the carton. The tax just a
weak deterent; testicles,
sagging evil; every puff,
reflection. Spirit drained by
small moments, road forks,
denials, distractions, disease, and
drive-thru living: in short, America.
Monogamy, the serpent, a territorial
beast, tolled the bell as heaven fell; the
knell a reminder of how you
came in: small, dew-skinned, and
so full of wonder, skin inky in darkness
and whitened in light. At the teat of
life, before paper, the original blood
rivulets through veins, too aware of
life to be captured on a document.
Remember this and have all.
Sunday, April 09, 2006
She Who Poured Her Heart Into Mason Jars
She poured her heart into Mason Jars,
old schema in new thick cylinders
presenting apple apricot views into imaginary worlds,
every brew a fossilized life.
Ribbons, moth-like, clung to the fridge
and bruised fruit made useful,
gelatinous, malleable,
willed into existence, spread on toast.
Each prize proclaimed an ache,
every golden font a lie that
stuck to lineoleum like color itself-
her alchemy wore out that floor.
As moonbeams brought demons,
idle hands became confectioners:
snapped heart strings stewed,
sugared, set, then jarred so that only
an autopsy could detect
the root of blackberry bitterness,
knew just what browned those
apple preserves.
Strawberry that moaned of first love
deigned the cupboards, mango
abortions; marmelade hopes,
until the flavors ran together,
indistinguishable now in old age,
as relentless as the slams of cabinet doors
and ushered her spirit into Mason Jars.
old schema in new thick cylinders
presenting apple apricot views into imaginary worlds,
every brew a fossilized life.
Ribbons, moth-like, clung to the fridge
and bruised fruit made useful,
gelatinous, malleable,
willed into existence, spread on toast.
Each prize proclaimed an ache,
every golden font a lie that
stuck to lineoleum like color itself-
her alchemy wore out that floor.
As moonbeams brought demons,
idle hands became confectioners:
snapped heart strings stewed,
sugared, set, then jarred so that only
an autopsy could detect
the root of blackberry bitterness,
knew just what browned those
apple preserves.
Strawberry that moaned of first love
deigned the cupboards, mango
abortions; marmelade hopes,
until the flavors ran together,
indistinguishable now in old age,
as relentless as the slams of cabinet doors
and ushered her spirit into Mason Jars.
Subscribe to:
Posts (Atom)